Showing posts with label original. Show all posts
Showing posts with label original. Show all posts

Thursday, June 18, 2009

Butterfly Girl (Little Mona Lisa)


This was another Photoshop exercise. I took this photo at a recent butterfly show at the Krohn conservatory. Unfortunately, it was a very dark and rainy day, so it turned out pretty grainy. But I liked the image because the girl had such a mysterious expression- an inscrutable smile, you could say. She reminded me of a young version of the Mona Lisa, so I wanted to see if I could fix the photo. I thought it would be cool, since it was grainy, to make it appear to be an old sepia print, with the butterfly in color to make it stand out more. I ended up calling my son, who guided me through the process of making a mask, etc., to accomplish this, which we finally did. Another problem was that the girl's face was at the edge of the frame, so there was a lot of unwanted space behind her. We were able to kind of blur this out and make it darker, but the yucky composition still bugged me, so I cropped it. My son said it was not "professional" to crop the frame, and that it was still too grainy. I had hoped to enter it in a photo contest, but because the quality isn't what it should be, I guess I'll just chalk it up to a learning experience. I still like it this way, though.

Saturday, April 11, 2009

The Traveller


Here is the finished version. I darkened parts of the background to hopefully lead the eye back toward the figure, and balance the visual "weight" of the birds. (Thanks, Michael!) What do you think?

Wednesday, March 4, 2009

Saturday, December 27, 2008

Transformation 31


I actually finished this piece a couple of weeks ago, but just didn't post it because I wasn't 100 percent totally sure it was finished. Making decisions is not one of my assets as a human being, but let's just not go there... I have a couple more of these in the works, but as I might have mentioned before, I feel like this series has almost run its course, or come to an inevitable conclusion, or is stale and boring (at least to me). I really want to move on to something different, but I'm not sure exactly what. Once again, the old indecision problem has reared its ugly head. If any one has ideas or experiences you can share about how to handle this transition, please let me know.

Sunday, December 14, 2008

Abstracts




I've had a lot of fun lately (and frustration, too, I must admit), trying to expand my Photoshop abilities beyond just re-sizing things. I'm kind of in a 'stuck' place with my art, so I began to play around with some of my photos. I guess there's less pressure with them, because I've never really considered myself a serious photographer, or exhibited my photos as "ART" (whatever that means). Anyway to get to the point, I was thinking of photos as abstracts. I know many people use the terms "abstract" and "nonrepresentational" interchangeably, but when I was in school, I was taught that abstraction was making images that had a basis in reality. For example, Picasso's figures may have two eyes on one side of their faces, but you know they're based on people. In contrast, the work of Mark Rothko or Jackson Pollack would be considered nonrepresentational because they don't reference anything in the real world. Of course, all of this is arguable and pretty vague; they may have based their work on something real at times.
But now I'm rambling. What I've tried to do, essentially, is take real things as recorded by the camera and see how far I could push them into abstraction by altering them with Photoshop. None of these photos are cropped, by the way. Let me know what you think. Can you tell what they are?

Sunday, December 7, 2008

To logo, or not to logo...



That is the question. It seems that I should have a business card and letterhead, so I'm trying to design something. Here are two I've come up with so far. What do you think?

Sunday, November 30, 2008

more multiples (the edge of november)


Cloud Sunflower

It's a cold, gloomy,
gray, drizzly day
on the edge
of November
and even worse
it's Sunday
So I have to go
to work
tomorrow.


Metal Sunflower

Summer's heat and
soft, buttery,
yellow light
are gone
and the sky is hard,
the color of
lead.


Ink Sunflower

Last summer is far
away and long ago,
a faint
remembrance
like the taste of salt
on my tongue
or glittering on
my skin.


Glowing Sunflower

But I can wait
and remember
and think
of yellow things
like
sunflowers.

Saturday, November 29, 2008

Tagged!



Apparently, I've been tagged. I didn't know what this was until Amy Guidry, who I know from the Art Scuttlebutt site, tagged me today. Amy is an artist whose beautiful surrealist paintings I very much admire; you should check her out at http://www.artistcommentary.com/. Anyway, it seems like a good idea to me. Here's how it works:
1. Put a link in your blog post about the artist who tagged you.
2. Write 5 - 7 unusual things about yourself. (This part could be scary.)
3. Tag 5 - 7 other bloggers and let them know.

Okay, unusual things about me. Well, that shouldn't be too hard.
1. I was a professional bellydancer for about 7 years. (see publicity photo above)
2. I once participated in a Voudou ritual with priestess Louisa Teish, in which I had to spit rum and gunpowder all over an altar. (don't ask)
3. I build log houses. (using the original pioneer logs, not kits)
4. I have 3 college degrees and graduated summa cum laude all 3 times.
5. I am a direct descendant of Pocahontas on at least 3 different lines of my family.

Are those unusual enough, do you think?

Here are the artists I'm tagging:
http://aviewbeyondwords.blogspot.com/
http://www.lonecrowart.blogspot.com/
http://www.kathleenkrucoff.blogspot.com/
http://kartikadamon.blogspot.com/

Oh rats, that's only 4. Well, either I can't count or I'm a big fat rule- breaker...

Okay, now I feel like a cheater so here's one more. Also, I forgot I meant to include Carol because she's very cool:
carolenglesart.blogspot.com

You never know, I may add more, because I'm a big fat mind-changer, too.

Sunday, November 16, 2008

Four Buddhas


I'm not sure what to call this; I mean, I've never done anything with multiple images before. I'm not an Andy Warhol fan, so I don't think that's where this is coming from. Maybe it's from the Tibetan Buddhist tradition of deities having multiple aspects- such as the Medicine Buddha, Shakyamuni Buddha, etc. I once took the initiation of the twenty-one Taras, which was quite lovely, but no one has ever explained to me why there are so many of everything. Tibetans seem to have an obsession with numbers, but I find it a bit confusing, myself. But I digress, I guess. For whatever reason, I just like these images together; I hope you do, too. Namaste!

Saturday, October 18, 2008

Tree Cathedral 4


Where does the Divine reside? Do we keep our idea of God inside the confines of a box, a building, a church? Where does God begin, or end? Is spirit within us, around us, within every thing? Which is more holy, a tree, or a building? Which inspires you more, on a spiritual level? Have we constructed our God the same way we construct a building?
I can't answer these questions for you; each of us must answer them for ourselves. For myself, though, I choose to think outside the box.

Wednesday, September 24, 2008

It was a dark and stormy night...


Well, it was! The crazy weather from Hurricane Ike reminded me of this photo I took of the sky from my back yard during a strange storm. Nature is beautiful, but she can sure pack a wallop. Just when we arrogant humans think we have everything under control, she puts us in our place.

Sunday, September 21, 2008

Glowing Buddha


Yes, another in the Buddha series- I'm sort of obsessed with this piece and all its permutations. I hope you're not too tired of it, because I'm not finished yet, so stay tuned for further developments! By the way, all of these will be for sale as soon as I can figure out the cost.

Sunday, September 7, 2008

Pink Blacklight Buddha


Is it just me, or does this kind of remind you of a seventies blacklight poster? Of course, those memories are a bit fuzzy, so I could be wrong. Let me know what you think.

Monday, September 1, 2008

Seedling


I'm sure this piece comes from a place deep in my twisted subconscious; after I made it, I realized that it reminds me somehow of one of my favorite childhood pastimes. In fact, it has occurred to me that much of my imagery grows out of these experiences. (Hey, who needs psychotherapy when you've got art?) I used to love making dolls from natural materials I found in the yard or woods, though I had little interest in store-bought dolls. I'd find a twig for the body, attaching a tiny apple or grape as a head. Of course she needed something fashionable to wear, and upside-down petunias made gorgeous dresses; a strand of thick grass tied around it served the dual purpose of holding the flower in place and serving as arms. Snapdragons were perfect as hats. For the little people to live in, I constructed houses of sticks and mud (I invented adobe, who knew?), and fed them birch-seed pies baked in the sun.
This probably comes as no surprise to those who know me well, while some of you may be thinking, "Wow, no wonder her art is so strange..."

Size: 8.5x15
Medium: monotype collage
Price: NFS

Friday, August 29, 2008

Saturday, August 23, 2008

Savannah

Old Riverside Building

Griffin in Front of Old Cotton Exchange

Historical Savannah was a beautiful glimpse back into the history of our nation, but don't go in the middle of summer unless you enjoy heatstroke! It was still worth it, though.

Sunday, August 17, 2008

Galactic Mandala


This piece combines two of my foremost interests, science and spirituality. I feel that these cannot be separated from one another, whether you believe that God created this magnificent universe, or you believe that this universe IS God. Either way, they form an indivisible whole; nature in all its forms reveals the divine. We are each sacred parts of the whole, and are dependent upon ALL parts for our survival.

Size: 11" x 11"
Medium: Watercolor and acrylic ink with collage
Price: $175.00 without mat