Saturday, April 15, 2017

Untitled Post With Nothing in It

Until just a minute ago, that's what this was. For a very long time, started sometime in what seems like the distant past, this post had languished in a dormant state called, "I'm doing too many other things, but I'm planning to do a post at some point, preferably sooner than later." But my brain was so otherwisedly (at least I found time to invent a new adverb - I think) occupied that I had gotten no further than this, and I was stuck there, with no idea at all as to what it should be about. Sometimes if I just begin to begin, inspiration may strike me out of the blue - or maybe not.

I have had this little collage sitting on my press next to the computer desk, but I hadn't scanned it, or thought of a title. So I've decided to call it "Otherwisedly Occupied", which seems to be the best I can do right now, and also allows me to use my newly-invented word.

Otherwisedly Occupied
mixed media collage, 6 x 4 inches
ingredients: vintage book pages and other vintage ephemera, decorative paper, watercolor pencil

I hope you enjoy! Have a great weekend, everyone! xoxo

Saturday, April 1, 2017

Trials and Tribulations, and New Work on the Way

I have several pieces that have been laying around my studio that haven't been shared due to the fact that I didn't have a decent, fully functional camera. After much research and thought, I finally bought a Panasonic Lumix DMC-FZ1000. It was more than I really wanted to spend, but I needed something that would take excellent artwork photos, and a DSLR costs that much just for the body; then, in addition, you have to buy various expensive lenses for different purposes. Another point against a DSLR is that I realized that I didn't want to be bothered with lugging around a bunch of lenses, which I would have to be changing all the time, so a high-end fixed-lens camera seemed like the perfect choice.

So now, if the weather cooperates, I will be able to photograph those pieces, along with everything that needs to be re-photographed because I originally used my cell phone, and the photos are seriously lacking in quality. Especially since I'm going to be building a new website, I want the image quality to be as high as it can. I don't really want to upload my current photos, and then have to go back and replace them.

But now I have a new problem; setting up the new camera is somewhat (read: a lot) daunting. I'm afraid it's going to take a while. It has so many features, I'm not even sure what some of them mean! So in the meantime, I'll have to keep using my phone, unless they are flat and can fit on my scanner. Sheesh!

Anyway, I'm finally taking time from my technical studies to make some art! Here are a few sneak peaks of what's happening in the studio. Taken, of course, with my cellphone.

Materials used: vintage book cover, vintage maps, antique engineering drawing, monotype, book pages.  This one has a ways to go, but so far I'm satisfied with it.

I hope you are all having a great weekend, and making some art! Namaste, my friends.

Saturday, March 18, 2017

Art Challenge: Ritual/ Routine

When lovely Nadine of tinywoolf declared the theme for this art challenge "ritual/ routine", I knew I wanted to participate. It's such an interesting subject, I thought it would be easy to come up with something good. While I find the concept of ritual to be quite fascinating, I found that when I actually sat down to think about what I would do, I had difficulty narrowing it down to a workable size. I mean, it's a BIG concept; it covers a lot of ground. So I thought looking up the definition might help, give me some clues or spark an idea.

Here is Merriam Webster's definition:
  1. :  the established form for a ceremony; specifically :  the order of words prescribed for a religious ceremony
  2. 2a :  ritual observance; specifically :  a system of rites
     b :  a ceremonial act or action
     c :  an act or series of acts regularly repeated in a set precise manner

Humans are creatures of habit, as are all creatures, it seems. My dogs will wake me up at the same time every morning, and expect to be fed at 5:00. We naturally fall into forming patterns, of doing things at the same time in the same way over and over again. I would suggest that this saves some part of our brain to think about working out more complex problems, because we don't have to re-think when we're going to brush our teeth every day. Or maybe not.

Rituals are also important to the formation and continuance of societies; we agree to elect our leaders the same way at repeated intervals, we decide on the guilt or innocence of people who break our laws by using a set, prescribed, series of rituals. If we didn't have rituals in place for these things, no society could survive, but would quickly descend into chaos.

 Weighing of the Heart Ceremony, Book of the Dead, 1285 bCE

Based on the definition above, the word "ritual" covers everything from the sacred burial rites of the ancient Egyptians to the "March Madness" college basketball tournament to brushing our teeth at the same time each day. (Just to amuse myself, I thought about making a shrine with a toothbrush inside of it; I know - weird sense of humor!)  So I'm probably thinking about this way too much, but my ideas for this piece just kept bigger and bigger, and I realized there was no way I could do it justice in the short time I had left. In fact, it's really still in the planning stages; I'll share it here as I work on it.

Invocation of Tara
ingredients: map fragment, magazine cut-outs, image transfers, artist pens, watercolor pencils

So I decided to use a piece I had already been working on, which does relate to the concept of ritual in an obvious way. Tara is the Tibetan Buddhist Goddess of Compassion, and rituals to honor her have been performed since the 6th century and possibly longer. According to Wikipedia, "Tārā became a very popular Vayrayana deity with the rise of Tantra in 8th-century Pala and, with the movement of Indian Buddhism into Tibet through Padmasambhava, the worship and practices of Tārā became incorporated into Tibetan Buddhism as well. She eventually came to be considered the "Mother of all Buddhas," which usually refers to the enlightened wisdom of the Buddhas, while simultaneously echoing the ancient concept of the Mother Goddess in India.... Tārā is also known as a saviouress, as a heavenly deity who hears the cries of beings experiencing misery in samsara."

The image of Tara I used for this piece is based on a centuries-old painting somewhere; I have unfortunately lost track of the source. By the way, she is not always green; different aspects of Tara are different colors. Green Tara is one of the most popular.

Be sure to visit Nadine at tinywoolf to find out what the other participants came up with for the challenge. Happy weekend, everyone!

Sunday, March 12, 2017

Still Undecided...

Okay, I've narrowed down the first lot, chosen my favorites, and added a few more. I'm sure you're beginning to realize that I'm not good at making decisions...  Please feel free to comment or not; you're probably getting as tired of this as I am!

After all this trouble, I still like the one I'm using now. I think it's strong graphically, but don't know if it really says, "Spiritual Art Inspired by Nature", which will be the tag line for my sites.

This is also a favorite, but I had forgotten to leave room for the corners to be cut off, as they will be on Pinterest, so I rearranged the type. I also changed the type face, but may need to go with a sans-serif font for the sake of readability.

This is from one of my favorite pieces, but I'm not sure if it's too visually confusing. I also am afraid the font may be hard to read when re-sized to fit the various sites' profiles.

This one is the same as the one above it, but with a different font. So I have made progress, in that there are three basic designs, which could be tweaked in one way or another.

Again, thanks for the help, dear friends! I hope you're enjoying your weekend!

Thursday, March 9, 2017

Choices, Choices

Some of you may be aware that I'm trying to re-boot my (almost nonexistent) art business, and have been researching the best ways of doing so (see my last post for some of the things I've learned). So right now I'm working on branding. I'm not going to try to define branding, as it's a bit of an abstract concept, and not that easy to describe in a few sentences. There are lots of articles that can help you with that; just google "branding for visual artists", and you will find tons of helpful information. I think "Branding 101 for Artists: How to Create a Strong Brand for Yourself and Your Art" by Gregory Peters on is one of the best articles I've read on the subject.

Anyway, I digress. Part of creating your brand is using the same "logo" or image on all of your art sites. Right now, the image I have on my facebook business page, my pinterest profile, my twitter profile, and my blog looks like this:

I like the image; I think it stands out and works well compositionally (not a real word, apparently). The problem is, it comes from one of my collages, and I don't think it really represents my work as a whole. Looking at this, people would probably get the idea that all I do is collage. Also, a lot of my work, even the collages, reflect a strong sense of the sacredness ( is that a word?) of nature, which this image really does not.

So I've been working on creating some new ones, and I was hoping I could get the benefit of opinions other than my own. I would appreciate any kind of feedback: which you like best, how any or all could be improved, comments about composition, color, subject, anything. I hope you'll feel free to let me know what you really think; believe me, you're not going to hurt my feelings if the criticism is constructive. So here they are, in no particular order:








I may do more, but I'm pretty tired of photoshop right now.  Thanks in advance for your help!

Thursday, March 2, 2017

Some Things I've Learned

First of all, I have to apologize for not getting around to reading everyone's blogs, and for not posting anything on my own blog for such a long time. As some of you may know, I've been spending most of my time researching the best ways to sell art online. I have also, after debating for some time, decided to build a new website. There is so much to learn; it can actually be quite overwhelming for someone like me, who didn't grow up in the tech age. But I was determined to do my best to figure it out, so I kept plodding forward.

One thing I discovered is that I wasn't labeling my images correctly for SEO. SEO, which most of you probably already know, is search engine optimization, which basically means making it easier for search engines to find your content and be able to understand what it is. I was surprised to learn that google can't really read images, so this is pretty important. Of course, since I have around a bazillion or so images, re-labeling them took a long time. And that's just one little part of this art business thing. By the way, the best article I've found about SEO for artists is by Tom Dupuis at Online Media Masters.

Here is a comparison chart of print-on-demand sites; here is a good an article about print-on-demand by Christopher Kerry. This article compares and ranks the best website platforms.

I won't go into everything I've learned, because there are lots of people who understand it better than I do, and have written great books and articles, and have made really helpful podcasts and YouTube tutorials that explain things very well. My biggest obstacle is that I wanted to make a new website that combines ecommerce, a blog, and print-on-demand. I had questions like, "Which is the best platform for artist websites?";  "How much technical expertise do you need to be able to use the various platforms?"; "How do I move my domain from my old site?"; "Which ones can have a print-on-demand page embedded in them?"; "How can I use social media to drive traffic?"; "How much does all this stuff cost?", just to name a few. Yikes, right!? And with all this business stuff, will I have time to make art?

I knew I needed to do extensive research, and that there would be a big learning curve. So, here's what I did. First, I was lucky enough to find How to Sell Art Online by Cory Huff of The Abundant Artist. This is the best online art business book I have read; it's clear, concise, and lays out all the basics. He also has podcasts, a blog, classes and videos on just about everything pertaining to art and online business. And no, I don't get anything for saying this (I wish!), I'm just telling you what I think. In fact, I'm about as far from an expert as you can get, which is why I decided to share what information I'm finding helpful with others who, like me, might need a little steering in the right direction.

Then, I started taking all the free webinars and tutorials offered by most of the well-known art business coaches, of which there many: Ann Rea of Artists Who Thrive,  sample webinar here); ART2LIFE with Nicholas Wilton; Alyson Stanfield of ArtBizCoachMake Art That Sells with Lilla Rogers; Robert Brandl's WebsiteToolTester , which is great for comparing website platforms, types of ecommerce, etc., with lots of good YouTube videos; Gary Bolyer; Brainard Carey's, which offers free podcasts and webinars; Jason Horejs's Red Dot Blog with links to his extensive offerings of Art 2 Market YouTube videos, often in conjunction with art print and market expert Barney Davey. There is lots more free help out there, as I'm sure you'll find once you start looking around. Most of them offer free information as a teaser for getting you to take their entire online course, but if you take the free introductory ones and then go and watch their other videos on YouTube, you can find a lot of helpful information. Also, many of them offer free pdf instructions or worksheets that go with the webinars. You can print these out or download them onto your computer.
Learning how to target your audience is another important thing to learn, and one that I have particular trouble with. Click the image above to read the article.

I realize that this post is getting rather long, and one of the things I've learned through my research is that people don't want to read online. So if you need to know anything more specific and I can point you in the right direction, feel free to comment here or message me on facebook. Oh, I should also say that I've pinned quite a few helpful articles to my Online Biz How-to board on Pinterest, so you might want to check that out.

And lastly, lets not forget the most important part of all this -

Connections II
mixed media collage, 8 x 8 inches

making art!

Addendum: I just found an awesome site that gives you excellent detailed reviews of website builders, how to use them, and tons of really relevant and clear information about anything and everything to do with websites. It's called Website Builder Expert, and it even has a quiz to help you figure out which website builder is best for you. I highly recommend it!

Monday, February 13, 2017

What the Flowers Know

What the Flowers Know
mixed media collage,  11 x 8.5 inches
ingredients: vintage book cover and ephemera, dried plant parts, found objects, image transfers, mica, brads

When I made this piece, I was really thinking about this subject in the poetic sense: personification, metaphor, just to name a couple of literary devices that might apply. But I recently read a very thought-provoking and seemingly incredible article in the the New Yorker called The Intelligent Plant by Michael Pollan.

"The new research, he says, is in a field called plant neurobiology — which is something of a misnomer, because even scientists in the field don't argue that plants have neurons or brains.
'They have analagous structures,' Pollan explains. 'They have ways of taking all the sensory data they gather in their everyday lives ... integrate it and then behave in an appropriate way in response. And they do this without brains, which, in a way, is what's incredible about it, because we automatically assume you need a brain to process information.' "  (PRI Science Friday)

Amazingly, he goes on to explain detailed experiments that show apparent presence of memory by plants, as well as responses to stimuli, such as hearing, and even the ability to learn. To me, this is poetic in itself, because it makes us aware that all living things are more alike than we ever thought possible. How could we not be connected, when we are made of the same stuff?  Life started as a single cell, and grew and differentiated from that cell, so perhaps we shouldn't be surprised at the commonalities among different forms of life. You can listen to the podcast of Science Friday or read the article by following the links above.

Tuesday, February 7, 2017

You Never Know

You Never Know
mixed media collage,
ingredients: vintage ephemera, pencil, image transfers, magazine cut-out on multi-media board

It seems I've been saying this a lot lately. The world continues to grow more puzzling by the day; the future seems more uncertain than it has in a very long time. Things you thought could never happen, well - they have, and they are. Still, the world is full of good people; the amazingly selfless things they do often take me by surprise. Perhaps they are angels in disguise. You never know.

One evening an old Cherokee told his grandson about a battle that goes on inside people.
He said, “My son, the battle is between two wolves inside us all.”
“One is Evil – It is anger, envy, jealousy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego.
“The other is good – It is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion and faith.”
The grandson thought about it for a minute and then asked his grandfather: “Which wolf wins?”
The old Cherokee simply replied, “The one you feed.”

Saturday, January 28, 2017

Art Challenge: Sticks

When Tammie of Beauty Flows chose the theme "sticks" for this week's art challenge, I knew I had to jump in! I love sticks - in the woods, on or off of the trees, in art, or laying in a pile in my studio. Here are a few of my favorites.

 Snow and ice accumulated on these sticks in my yard to make a lovely black and white abstract...

 Sticks with seeds overhanging the Kinniconick Creek...

 I used a smooth bleached stick from the creek in this mixed media piece called, "Flight Talismans".

 Sticks outlined in the light of the super moon...

 Weathered, twisted sticks on the sand dunes at Cumberland Island.

 My friend, Mish, trying to hide behind some bamboo sticks.  Not working too well.

Years ago, I used to make sculptures from sticks, grapevines, rocks and copper. This was the only example I could find. The background is a topological map of a region in Kentucky that is very important to me, the rocks, which have seeds or flowers of indigenous plants glued onto them, have holes in them and are hanging on - you guessed it - sticks.

 Sticks from a tree submerged in the Kinniconick Creek...

 Beech sticks still hold onto their leaves in winter...

A redbud tree in bloom...

Do you think that's enough, yet?  Thanks for inviting me, Tammie!  Go to Beauty Flows to see what the other participants came up with!

Monday, January 23, 2017

Mary Walker's Pants

When I started working on this collage, I didn't really know who Mary Walker was; I just thought she looked fascinating, and that it was pretty bizarre that someone could be arrested for wearing pants. So I looked her up to see what else I could find out.

Mary Walker's Pants
mixed media collage, 11 x 8.5 inches
ingredients: vintage book cover, vintage book pages and ephemera, cut-outs, child's drawing, lace, image transfer

I also found a page in this history book where someone had made some notes about women's rights, written right underneath the heading, "Manifest Destiny." Since women's rights seem to be in the news quite a bit lately, I thought now might be an appropriate time to share this.

Here are some things I learned about Mary Edwards Walker (November 26, 1832 – February 21, 1919): According to Wikipedia, she "was an American feminist, abolitionist, prohibitionist, alleged spy, prisoner of war, and surgeon. As of 2017, she is the only woman ever to receive the Medal of Honor." Though women were not allowed to serve as doctors, she nonetheless served the Union Army during the Civil War as a surgeon in an army hospital, and was captured by the Confederates when crossing the lines to treat injured civilians, and sent to the prison at Richmond.

   After the war, "she became a writer and lecturer, supporting such issues as health care, temperance, women's rights, and dress reform for women. She was frequently arrested for wearing men's clothing, and insisted on her right to wear clothing that she thought appropriate.
Walker was a member of the central woman's suffrage Bureau in Washington... She attempted to register to vote in 1871, but was turned away. The initial stance of the movement, following Walker's lead, was to claim that women already had the right to vote, and Congress needed only to enact enabling legislation."  She also wrote books and articles about these issues which concerned her so deeply. (Wikipedia)

Yet the history book only mentioned that she regularly got herself in trouble by wearing pants. What else, I wonder, has been left out of our history books?

Thursday, January 12, 2017


This much I have learned. Never give up. No matter how broken you are, it is possible to mend. It may take a very long time, and it may be the fiercest struggle you ever face. And you will probably be completely unprepared, like I was.

mixed media collage, 17 x 11.5 inches
ingredients: vintage book cover, vintage book pages and other ephemera, vintage textile, image transfer, watercolor pencils, found objects, acrylic ink, rice paper, feathers, stitching
available for purchase here

I thought I was unbreakable. Just pile it on, I can take it; I've been doing it for years, right? I never gave any credence to that whole "straw that broke the camel's back" thing. How could one little straw make a difference? After all, it was nothing at all when compared to what I'd already been carrying around for so long.  The phrase, "nervous breakdown" never even crossed my mind.

But I was wrong. To my great surprise, there is a tipping point, and I suddenly landed flat on my back, broken into pieces. There's a saying, attributed to everyone from Leonard Cohen to Rumi, something about the cracks being the place where the light gets in.  That may be true, but that light can be blindingly, relentlessly painful.
For a year and a half, that pain seemed unbearable, unsurvivable. It's difficult to talk about this without seeming melodramatic; I just want to say this as plainly and as honestly as I can.  If the last straw has broken the camel's back, the camel will have to build up it's muscles, to become stronger than before. If you lose a wing, it can be mended, and the mended place will be your greatest strength. And someday you may fly again.

Saturday, January 7, 2017


mixed media collage, 7 x 4 inches
ingredients: vintage book pages, ephemera, watercolor pencil
Available for purchase here.

Manifesto: The Mad Farmer Liberation Front (excerpt)
 By Wendell Berry

Denounce the government and embrace
You need to make a commitment, and once you make it, then life will give you some answers. Les Brown
Read more at: the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.

Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns....

... Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion – put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts....

I have no answers, but this, one of my most favorite poems by my favorite Kentucky writer Wendell Berry, makes me feel there may yet be reason to hope...