Showing posts with label selling art online. Show all posts
Showing posts with label selling art online. Show all posts

Thursday, March 2, 2017

Some Things I've Learned


First of all, I have to apologize for not getting around to reading everyone's blogs, and for not posting anything on my own blog for such a long time. As some of you may know, I've been spending most of my time researching the best ways to sell art online. I have also, after debating for some time, decided to build a new website. There is so much to learn; it can actually be quite overwhelming for someone like me, who didn't grow up in the tech age. But I was determined to do my best to figure it out, so I kept plodding forward.



One thing I discovered is that I wasn't labeling my images correctly for SEO. SEO, which most of you probably already know, is search engine optimization, which basically means making it easier for search engines to find your content and be able to understand what it is. I was surprised to learn that google can't really read images, so this is pretty important. Of course, since I have around a bazillion or so images, re-labeling them took a long time. And that's just one little part of this art business thing. By the way, the best article I've found about SEO for artists is by Tom Dupuis at Online Media Masters.

Here is a comparison chart of print-on-demand sites; here is a good an article about print-on-demand by Christopher Kerry. This article compares and ranks the best website platforms.

I won't go into everything I've learned, because there are lots of people who understand it better than I do, and have written great books and articles, and have made really helpful podcasts and YouTube tutorials that explain things very well. My biggest obstacle is that I wanted to make a new website that combines ecommerce, a blog, and print-on-demand. I had questions like, "Which is the best platform for artist websites?";  "How much technical expertise do you need to be able to use the various platforms?"; "How do I move my domain from my old site?"; "Which ones can have a print-on-demand page embedded in them?"; "How can I use social media to drive traffic?"; "How much does all this stuff cost?", just to name a few. Yikes, right!? And with all this business stuff, will I have time to make art?



I knew I needed to do extensive research, and that there would be a big learning curve. So, here's what I did. First, I was lucky enough to find How to Sell Art Online by Cory Huff of The Abundant Artist. This is the best online art business book I have read; it's clear, concise, and lays out all the basics. He also has podcasts, a blog, classes and videos on just about everything pertaining to art and online business. And no, I don't get anything for saying this (I wish!), I'm just telling you what I think. In fact, I'm about as far from an expert as you can get, which is why I decided to share what information I'm finding helpful with others who, like me, might need a little steering in the right direction.

Then, I started taking all the free webinars and tutorials offered by most of the well-known art business coaches, of which there many: Ann Rea of Artists Who Thrive,  sample webinar here); ART2LIFE with Nicholas Wilton; Alyson Stanfield of ArtBizCoachMake Art That Sells with Lilla Rogers; Robert Brandl's WebsiteToolTester , which is great for comparing website platforms, types of ecommerce, etc., with lots of good YouTube videos; Gary Bolyer; Brainard Carey's yourartmentor.com, which offers free podcasts and webinars; Jason Horejs's Red Dot Blog with links to his extensive offerings of Art 2 Market YouTube videos, often in conjunction with art print and market expert Barney Davey. There is lots more free help out there, as I'm sure you'll find once you start looking around. Most of them offer free information as a teaser for getting you to take their entire online course, but if you take the free introductory ones and then go and watch their other videos on YouTube, you can find a lot of helpful information. Also, many of them offer free pdf instructions or worksheets that go with the webinars. You can print these out or download them onto your computer.


http://www.socialmediaexaminer.com/how-to-research-and-locate-your-audience-using-social-media/?utm_source=Facebook&utm_medium=FacebookPage&utm_campaign=Evergreen
Learning how to target your audience is another important thing to learn, and one that I have particular trouble with. Click the image above to read the article.

I realize that this post is getting rather long, and one of the things I've learned through my research is that people don't want to read online. So if you need to know anything more specific and I can point you in the right direction, feel free to comment here or message me on facebook. Oh, I should also say that I've pinned quite a few helpful articles to my Online Biz How-to board on Pinterest, so you might want to check that out.

And lastly, lets not forget the most important part of all this -

Connections II
mixed media collage, 8 x 8 inches

making art!



Addendum: I just found an awesome site that gives you excellent detailed reviews of website builders, how to use them, and tons of really relevant and clear information about anything and everything to do with websites. It's called Website Builder Expert, and it even has a quiz to help you figure out which website builder is best for you. I highly recommend it!






Wednesday, October 19, 2016

The Life of an Artist, part 2






As you may know, I've been posting questions on my blog and on facebook, attempting to get information about selling art online. My goal is that we all share our knowledge in hopes of helping one another. Unfortunately, I didn't get many answers to my questions (not a large enough data base), so I have decided to supplement with my own research.


 website header

Question number 3 in my informal art business survey: What online venues have you used for selling art, and if you have, which one(s) have you found most successful? Some examples include: your website or blog, etsy, Fine Art America, Saatchi, artspan, artsy, ebay, Pinterest, facebook, instagram, Shopify (which apparently can be used with facebook, instagram, twitter, and pinterest), redbubble, zazzle, etc. 



I got two completely opposite opinions about etsy - one who sells a lot on etsy, and one who does not. This corroborates other things I've heard. A friend told me he knows someone who makes a living selling on etsy, but I've also heard that it's not a good place to sell since they opened it up to non-handmade products. I've also been told that it's better now that they've made some changes, though I have no idea what those changes are. Another said she sells mostly from facebook and her website.
To shed some light on the whole etsy question, I found this article, Etsy Pros and Cons by Ariane Foulks on her art business blog, Aeolidia. The article consists mostly of the opinions of people who sell on etsy; it's worth reading because it gives you a feel for what selling on etsy is like, both good and bad, along with a few suggestions from Ariane. One of the biggest pros is apparently that everything is already set up , including the payment process system. Other major advantages seem to be that customers are well-aquainted with etsy, and so are likely to trust the sellers, and there's lots of help available through community boards. Disadvantages are lack of control, limited design choices, and tons of competition, because so many sell their products on etsy that it's easy to get lost among the masses. And, of course, there's the cost: 20 cents to list each item, and etsy takes 3.5 percent of the selling price. An excellent article by Britany Klontz comparing etsy to setting up your own ecommerce site is also worth a read.





Obviously, I can't research and report on all these online sales venues, but there is no end to the number of articles on the internet that do. To be honest, I have read so many of them that my head is about to explode, and have come no closer to being able to make sense of it all. There are simply too many variables - what type of art you're selling, whether you sell giclees, how much money you need to make, how many followers you have, whether you want to license your work to be printed on paper, canvas, t-shirts, coffee mugs, etc., how much you can afford to spend on promoting your site, and so on.


business card

I'm certainly not an expert on this subject; there is LOTS to learn about selling art online, and I don't have time to wade through even a small part of it. But I will share with you some things that stood out to me and seemed to have the ring of truth.

1. In my investigations, I found that most of the people who claim that you can make a fortune selling art online have courses, webinars, or coaching services they want to sell you after they lure you in with "free" information. The free information is pretty generic and generally just consists of common sense statements with exclamation points. Some of it is helpful, though; many have blogs, newsletters or podcasts that you can take advantage of, and maybe glean some useful information.  I can't speak to whether their trainings are helpful, as I don't have money to spend on them.

2. Almost every art business coach says that the number one most important thing to do is to build a large email list and send out frequent newsletters. Generally, they advise you to collect the email addresses of people who buy your work. The problem with this is, since I have mainly sold through galleries, I have no information about the buyers; gallery owners do not usually share the names of buyers with the artist, for obvious reasons. This one stumps me, as they don't exactly tell you how to build an email list, and I'm not sure what I would put in my newsletter; I don't have that much 'news' to report. But I'm definitely going to look into it, and will share what I find out later if you're interested.

3. Another point which I hadn't really thought much about is finding your niche market. In other words, what sets your work apart from that of the other bazillion artists out there? This does seem a bit counter-intuitive; I'm always being told that I should paint things most people want to buy. I could make lots of money, I'm always being told, if I would paint landscapes, or do pen-and-ink drawings of Cincinnati, or paint pet portraits, for instance. These aren't things I feel passionate about, and I would not be happy doing them; consequently, I don't think they would have that essential quality - whatever that is - that touches people and draws them to an artist's work. The important thing is to develop your own artistic voice, to which certain buyers respond. These buyers become collectors of your work, and will introduce your work to others.

4. Tell stories. People want to know about you as a person, how you make your work, what inspires you and why. They want to feel engaged with you as an artist, which helps them to engage with your work. Initially this seemed a bit surprising. I've always thought that my life was pretty boring, and that people didn't really care about who I am as a person. When I think about it though, it makes sense; I always look at the bio section of an artist's website, and enjoy finding out more about them. It helps me to gain insight into their work, making it richer and more meaningful to me as a viewer. I'm always fascinated to find out about their processes, and to see work in progress.





Lance Rubin, an artist who has spent about ten years exploring this subject, has this to say about selling art online: "To sell successfully, you need to have what people want. You need to have an abundance of the art for sale (choice for your buyers, and I mean 30-100 available pieces), a sales record (your buyers can see that people buy your stuff), it needs to be the size they want, and the color they want, and fit their pricing needs all at the same time. It should also be unique and creative. I have also noticed that a warm palette art sells much better than cool or cold palette. People also prefer credentials of some kind and a backstory or personal information about the artist. Whew! Who can pull all that off at the same time? It ain't easy."

So, after all this I'm afraid that my research has not been very successful. I've found almost no real definitive answers, and my questions have just raised more questions. I will have to leave it at that for now, but I'm continuing to research it, mostly by trial and error at this point. I will keep you apprised of what I find out. Right now, I have set up ecommerce on my artspan website, and am in the process of enabling prints on demand for some of my work. I'm also considering setting up a shop on Fine Art America, and connecting it to my facebook page; I was told by a friend that it wasn't difficult to do.




Oh, yeah, and I need to find another gallery or two to sell my work, since the Promenade Gallery was sold.

To quote Alyson Stanfield, "My hope with this lesson is that you understand the value of action.
I give you lots of ideas on my blog and in my newsletter, but there comes a point when you have to stop gathering ideas and information and start taking action.
How about today?"