Showing posts with label mixed media. Show all posts
Showing posts with label mixed media. Show all posts

Monday, May 15, 2017

New Work: Temple





Temple, 17.5 x 11 inches, mixed media
ingredients: vintage book cover, monotype, vintage maps and engineering drawings, other vintage ephemera, metallic ink, found objects, brads, brass wire, acrylic paint, artist pens, feathers




So will I build my altar in the fields,
And the blue sky my fretted dome shall be,
And the sweet fragrance that the wild flower yields
Shall be the incense I will yield to thee.
- Samuel Taylor Coleridge

 "Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach undeterred by particulars, the ancient law of life."                                                                                                                              - Hermann Hesse





Monday, May 1, 2017

Progressing... a Few Quick Glimpses

Coming along slowly with the new piece I first showed you in this post. It's been quite a while since I completed something; as some of you may know, I've been busy studying business things. More about that later. (You can read a bit about it here and here.)

Most of the basic components are glued down, and I have added some stitching; I think it will be finished in the next day or so. In the meantime, I just wanted to share a few more details before you see the whole piece. (Is that an oxymoron?) Anyway, without further blah-blah-blah:



I kind of enjoy using the hammer and awl to make holes for the stitching.  My dogs, however, do not enjoy the noise - I suppose it sounds like thunder or fireworks to them - and when I start, they quickly find another place to hang out.



My son-in-law gave me these old engineering drawings, which I have since found out are done on silked vellum. We knew they were vellum, but when I tore a piece of it to use in a collage, I saw tiny threads, and realized it was woven. Later I heard, just by chance, that in the past very very thin sheets of silk would be somehow laminated onto vellum to make it more durable. It's a strange material to work with, as it doesn't behave like either paper or fabric, and seems to stretch when wet (or has glue on it), and is very hard to glue down flat.



Here, tree roots have been stitched with embroidery floss - a mix of two different blues. Hopefully, it will all come together soon, and I will share it with you here!


Happy Monday, everyone!






Saturday, March 18, 2017

Art Challenge: Ritual/ Routine



When lovely Nadine of tinywoolf declared the theme for this art challenge "ritual/ routine", I knew I wanted to participate. It's such an interesting subject, I thought it would be easy to come up with something good. While I find the concept of ritual to be quite fascinating, I found that when I actually sat down to think about what I would do, I had difficulty narrowing it down to a workable size. I mean, it's a BIG concept; it covers a lot of ground. So I thought looking up the definition might help, give me some clues or spark an idea.

Here is Merriam Webster's definition:
  1. :  the established form for a ceremony; specifically :  the order of words prescribed for a religious ceremony
  2. 2a :  ritual observance; specifically :  a system of rites
     b :  a ceremonial act or action
     c :  an act or series of acts regularly repeated in a set precise manner


Humans are creatures of habit, as are all creatures, it seems. My dogs will wake me up at the same time every morning, and expect to be fed at 5:00. We naturally fall into forming patterns, of doing things at the same time in the same way over and over again. I would suggest that this saves some part of our brain to think about working out more complex problems, because we don't have to re-think when we're going to brush our teeth every day. Or maybe not.





Rituals are also important to the formation and continuance of societies; we agree to elect our leaders the same way at repeated intervals, we decide on the guilt or innocence of people who break our laws by using a set, prescribed, series of rituals. If we didn't have rituals in place for these things, no society could survive, but would quickly descend into chaos.



 Weighing of the Heart Ceremony, Book of the Dead, 1285 bCE


Based on the definition above, the word "ritual" covers everything from the sacred burial rites of the ancient Egyptians to the "March Madness" college basketball tournament to brushing our teeth at the same time each day. (Just to amuse myself, I thought about making a shrine with a toothbrush inside of it; I know - weird sense of humor!)  So I'm probably thinking about this way too much, but my ideas for this piece just kept bigger and bigger, and I realized there was no way I could do it justice in the short time I had left. In fact, it's really still in the planning stages; I'll share it here as I work on it.



Invocation of Tara
ingredients: map fragment, magazine cut-outs, image transfers, artist pens, watercolor pencils


So I decided to use a piece I had already been working on, which does relate to the concept of ritual in an obvious way. Tara is the Tibetan Buddhist Goddess of Compassion, and rituals to honor her have been performed since the 6th century and possibly longer. According to Wikipedia, "Tārā became a very popular Vayrayana deity with the rise of Tantra in 8th-century Pala and, with the movement of Indian Buddhism into Tibet through Padmasambhava, the worship and practices of Tārā became incorporated into Tibetan Buddhism as well. She eventually came to be considered the "Mother of all Buddhas," which usually refers to the enlightened wisdom of the Buddhas, while simultaneously echoing the ancient concept of the Mother Goddess in India.... Tārā is also known as a saviouress, as a heavenly deity who hears the cries of beings experiencing misery in samsara."

The image of Tara I used for this piece is based on a centuries-old painting somewhere; I have unfortunately lost track of the source. By the way, she is not always green; different aspects of Tara are different colors. Green Tara is one of the most popular.


Be sure to visit Nadine at tinywoolf to find out what the other participants came up with for the challenge. Happy weekend, everyone!





Friday, December 16, 2016

Broken Girl - the Art of Recycling


Here is the finished version of the collage I was working on in the last two posts (here and here):

Broken Girl, mixed media collage on vintage book cover
ingredients: cabinet photo, vintage book pages and torn papers, vintage ephemera, watercolor pencils, stitching


The edges are cropped because it didn't quite fit on the scanner, and it's been way too dark and cold here to take good photos. (I take them outside in open shade.)  As you may remember if you're a regular reader, the torn pieces of layered papers on the right side started out as a completely different collage. I wasn't happy with the way it was going, so I incorporated it into a very different type of collage, i.e. one where the composition is more planned out and less abstract.  This doesn't usually happen, and I certainly didn't predict this turn of events when I started taking photos for my blog. These aren't the posts I had intended to write, but I thought it might be interesting for people to see what happens when things don't go as planned.

One thing I learned some time ago in my art-making explorations is that there's nothing wrong with tearing one piece up to make another; in fact, that's how I first began playing with collage. I didn't start out to become a collage artist, but as I tried making compositions with pieces of discarded work, I became hooked on the collage process as well as its outcomes. I love taking pieces of old ephemera that would otherwise be thrown out and combining them into something new. They bring with them something of the time they are from and the people who used them, which I think adds depth and meaning to the work.


Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep. Scott Adams
Read more at: https://www.brainyquote.com/quotes/topics/topic_art.html

"The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.”
Kurt Vonnegut, A Man Without a Country


"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep."
-- Scott Adams

“We don't make mistakes, just happy little accidents.”
― Bob Ross




Friday, December 9, 2016

Destruction, and a New Life



A very melodramatic way to describe the second day in the life of our collage, right?  However, I'd have to say it's pretty accurate.

Here's how I left it last night; it was going nowhere, as far as I could see.


I'd had this idea floating around in my head for a few days, using a particular cabinet card photo of a young girl, something nebulous about a lost or broken girl.

You can kind of see her here, amidst the flotsam and jetsam. When I peeled the photo off the card, it tore, but that didn't really bother me.


I had recently found an old set of encyclopedias from 1971 in my basement. Jackpot! I removed the cover from one of them and sanded it to get the slick finish off so that things would adhere to it more easily, also making it look older.


I had already glued the girl together on a piece of an old engineering drawing, and given her a flower hat. Here's where the collage met its fate.


I ripped it into pieces, and laid some of them out on the book cover with the girl.  Not bad. Now we're getting somewhere.


 But where?


 So, putting things on and taking them off, trying to decide which I like best...



 No, way too much...


 So, imagine this happening about a hundred more times...


I feel like I'm getting close, except for that skirt-thing.  Sooner or later...



...I have the basis of my composition laid out. Time to start gluing!  Soon I'll post the finished piece.




p.s. You might see other pieces of the original collage turn up here or there later on...






Monday, November 28, 2016

Under The Stars



Under the Stars, 10.5 x 8.5 inches
ingredients: vintage book cover; vintage book parts, ephemera, and sheet music; found objects (antique optical lens), stitching


This one is definitely a maximalist piece. The spell check informs me that this not a real word, but it is because I just made it up! To me, it is the opposite of minimalism; in other words, did I go too far? Everything but the kitchen sink, right? For some reason, however, I think it works. Everything, after all is under the stars.

This piece is available for purchase on my website, here, along with several different-sized prints of the piece. Happy Monday, everyone!






Tuesday, October 11, 2016

Listen to the Rain



Listen to the Rain
ingredients: vintage book pages, sheet music, and other ephemera; lace, stitching



"It's In The Rain" by Enya

Every time
The rain comes down,
Close my eyes and listen.
I can hear the lonesome sound
Of the sky as it cries.

Listen to the rain
Here it comes again
Hear it in the rain

Feel the touch
Of tears that fall
...They won't fall forever
In the way the day will flow
All things come,
All things go.

Listen to the rain
...The rain...
Here it comes again...
...Again...
Hear it in the rain
...The rain...

Late at night
I drift away -
I can hear you calling,
And my name
Is in the rain,
Leaves on trees whispering,
Deep blue sea's mysteries.

Even when
This moment ends,
Can't let go this feeling.
Everything
Will come again
In the sound,
Falling down,
Of the sky as it cries.
Hear my name in the rain.









Enjoy!





Wednesday, July 13, 2016

Small Accordion Book No. 2


I had so much fun making the first one, I decided to do another accordion (or concertina) book. I guess I will have to come up with names for them at some point. This one is the same size as the first, each page measuring about 6 by 3 3/4 inches, containing 8 pages on each side. The paper is Rives BFK.

I like doing these because it's fun to consider how make the images connect, even as they're changing from page to page. They may be connected by color, shape and form of design elements, or theme; this uses all three of those, though not necessarily the same ones on every page. The shifting and changes of this format remind me of meandering down a river or creek, where some features remain the same while others differ gradually as you move along. While most artistic forms contain movement (leading the eye from one place to the next), the movement generally leads to some sort of focal point. This is not necessarily true of the concertina book, where each page may be as important as the next.  It's a different thought process, and I like the challenge.



Accordion Book 2, side 1
ingredients: acrylic ink, relief print on rice paper, vintage book pages, magazine cut-outs, joss paper, decorative paper, image transfer, vintage stamp, vintage dress pattern, map fragment, stitching



pages 1-3



pages 4-6



pages 7-8



Accordion Book 2, side 2
ingredients: acrylic ink, relief print on rice paper, vintage book pages, vintage ephemera,  magazine cut-outs, joss paper, decorative paper, image transfers, vintage stamps, vintage maps, stitching



pages 1-3



pages 4-6



pages 7-8


I used everything in this but the kitchen sink, as they say. Really more of an experiment than anything, making this was lots of fun!







Friday, July 1, 2016

Weekly Quick Collage: Let Me Know


I have to confess that this collage was not all that "quick." Originally, it was done rather quickly, but I decided I wasn't satisfied with it, so I continued to work on it, adding more layers until the part that said "Let me know" was covered up. This in keeping with my resolution to push myself farther, to experiment and learn new things about making art. More and more, I'm employing my "throw away your first five (or ten) ideas" strategy, and beginning to break new ground, as they say.


Let Me Know
mixed media collage, 5 x 7 inches 



Every act of creation is first of all an act of destruction.         -Picasso





What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the wintertime. It is the little shadow which runs across the grass and loses itself in the sunset.         -Crowfoot





Let me keep my mind on what
matters,
which is my work,
which is mostly standing still and
learning to be
astonished.
- Mary Oliver