I've Moved!

This is just a reminder, in case you're still following me on the blogger feed, that I have moved to a new website and blog. I hope you will follow me on over there and read my new blog posts! The latest one: 

Vintage Ephemera: Persistence is about a new collage piece, and some of the vintage and antique ephemera I use as materials in my work. Please join me!

Broken Girl - the Art of Recycling

Here is the finished version of the collage I was working on in the last two posts (here and here):

Broken Girl, mixed media collage on vintage book cover

ingredients: cabinet photo, vintage book pages and torn papers, vintage ephemera, watercolor pencils, stitching

The edges are cropped because it didn't quite fit on the scanner, and it's been way too dark and cold here to take good photos. (I take them outside in open shade.)  As you may remember if you're a regular reader, the torn pieces of layered papers on the right side started out as a completely different collage. I wasn't happy with the way it was going, so I incorporated it into a very different type of collage, i.e. one where the composition is more planned out and less abstract.  This doesn't usually happen, and I certainly didn't predict this turn of events when I started taking photos for my blog. These aren't the posts I had intended to write, but I thought it might be interesting for people to see what happens when things don't go as planned.

One thing I learned some time ago in my art-making explorations is that there's nothing wrong with tearing one piece up to make another; in fact, that's how I first began playing with collage. I didn't start out to become a collage artist, but as I tried making compositions with pieces of discarded work, I became hooked on the collage process as well as its outcomes. I love taking pieces of old ephemera that would otherwise be thrown out and combining them into something new. They bring with them something of the time they are from and the people who used them, which I think adds depth and meaning to the work.

Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep. Scott Adams
Read more at: https://www.brainyquote.com/quotes/topics/topic_art.html

"The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.”
― Kurt Vonnegut, A Man Without a Country


"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep."
-- Scott Adams

“We don't make mistakes, just happy little accidents.”
― Bob Ross

Blueprint for Enlightenment II

Blueprint for Enlightenment II

ingredients: vintage book cover, vintage ephemera, woodblock prints, image transfer, Derwent Inktense watercolor pencil, vintage game pieces, metallic gel pen

I had lots of fun with this piece, just allowing myself to play with materials without giving much thought to what it all means.  I called it Blueprint for Enlightment II, mainly because the bright blue pencil I used reminds me of the color in a cyanotype/blueprint, and because the drawing is of the Tibetan Buddhist bodhisattva Avalokitesvara. He is often depicted woth 1000 arms and 11 heads, but I left off most of the arms as well as some of the heads in my version.


"According to Mahāyāna (Buddhist) doctrine, Avalokiteśvara is the bodhisattva (enlightened being) who has made a great vow to assist sentient beings in times of difficulty, and to postpone his own Buddhahood until he has assisted every sentient being in achieving Nirvana.... [The Chinese version of] this bodhisattva is variably depicted as male or female, and may also be referred to simply as Guanyin."  (Wikipedia)

"It is said that the personification of perfect Compassion, Avalokiteshvara (Guanyin) Bodhisattva (a great being who aspires to help all sentient beings be free of suffering before entering the bliss of Buddhahood), in the beginning of His/Her Bodhisattva career of helping sentient beings, vowed that "Should He ever become disheartened in saving sentient beings, may His body shatter into a thousand pieces." This might seem extreme, but it was symbolic of His overwhelming great Compassion and determination.

One day, while helping beings in a higher realm, He looked down into the hells which He had emptied through the teaching of the Dharma, and realised, to His dismay, that countless beings were still flooding into them. In a moment of exasperation, He became so disheartened that true to His vow, His body shattered in great agitation and despair. Despite this, He did not just give up — His consciousness beseeched the Buddhas for help. Of the Buddhas who came to aid Him, one was Amitabha Buddha, who became His Guru (personal teacher) Buddha. With the Buddha's miraculous powers, He attained a new form — one with a thousand helping hands of Compassion coupled with the eyes of Wisdom in each palm. With this, He renewed His vow to saving not just limited sentient beings, but all sentient beings."  (Buddhist Studies)

Re-Vision

I don't usually do collages that don't contain some of my own drawing or monotype work, but I thought I'd give it a try.  Why I thought that, I don't really know, since I'm generally quite terrible at this type of work.  In my last post, I included a collage I had made by combining different papers.  In keeping with the theme of clouds and rain, my intention was for the piece to express that mood, so I wanted to do something a bit simpler, softer, and more monochromatic than my usual riot of intense color and contrast.  (Okay, stop laughing; it is too possible!) The result was less than satisfactory; in fact, it was boring.

As I sat looking at this piece and pondering what might be done to improve its awfulness, I though perhaps I had been over-confident; maybe I should have started small.  "Go big or go home" is not always a sound philosophy.  So, I began cutting it into smaller pieces, which seemed at once to be an obvious improvement.  I worked on each one individually, while still keeping them similar enough to work as a series.

Symphony of the Rain (Overture)  4.75" x 5.75"

Symphony of the Rain (First Movement)  6.25" x 6"

Symphony of the Rain (Second Movement)  5" x 5"

Symphony of the Rain (Third Movement)  6" x 4.75"

Ingredients (all 4 pieces):  vintage ephemera, decorative papers, magazine cut-outs.

What do you think?  Better, or not?  Any and all advice would be helpful!