For Emma

For Emma

ingredients: vintage book cover, vintage lace, vintage book pages and ephemera, Derwent watercolor pencils, stitching

I found this written in a 100 year-old book:

Remember me when death shall close

These eyelids in their last repose

And when the wind doth gently wave

The grass that grows upon my grave

                                                   Emma K

I have no idea who Emma K. was, or what prompted her to pencil these words onto a page of this book.  But I tried to imagine her, anyway, and what she might have been like.  Maybe she loved butterflies, and lace.  Maybe she loved to sew.  Perhaps she read a book with a bitter-sweet ending, and it got her thinking.  She wanted to be remembered.  And so I made this for her, a girl I never knew, so we'll remember.

RoyGBiv: Orange

What a wonderful time of year for orange! If there's anything we need more at this very gray and white time of year than a shot of orange (except Spring, of course), I don't know what it would be. Cheerful and bright, just the thought of zingy orange makes me feel a bit warmer.  I hope these photos will do the same for you. For even more orange, go to Jennifer Coyne Qudeen's lovely blog, where you'll find links to more Searching For RoyGBiv participants.

... this butterfly wisely chose the correct color when looking for a zinnia to drink from...

... a delicate orange shelf fungus on a log in the woods...

... a bright orange spotted salamander inside a hollow tree trunck...

... one of my favorites - a turk's cap lily from my garden last summer...

... fiery red-orange Indian paintbrush from my vacation in the Rocky Mountains...

... a variety of nice orange shades in this box of pastels...

...colorful sugar maples from a gorgeous past Fall...

... and this very brightly painted wall at the Kentucky Guild of Artists and Craftsmen's gallery in Berea, Kentucky (the upper left piece is mine)...

Coincidentally, the outside of the gallery is also kind of orange!



Again, visit Jennifer's blog to follow the trail to more orange of all kinds!

What's on My Easel

I promised to show you what's on my easel, so here goes.  The piece on the left is one that was already deemed "finished"- an illustration for my yet to be written book, called, "Crow Creates the Night".

Crow Creates the Night (version 1)

Even though I thought it was finished, the crow's beak really bothered me because I felt it wasn't shaped like the one in "The Separation of Heron and Crow",

The Separation of Heron and Crow

and therefore would be too inconsistent if I ever do finish the book. Finally I decided to fix it, and here's what it looks like now.

Crow Creates the Night (version 2)

Changing it was very difficult, and at one point I was sure I had ruined it, but I'm much more satisfied with it now. 

The piece in the middle of the easel is kind of a re-do of part of an older piece which just wasn't working. I don't have a 'before' photo of it to show you, but several things were erased and a few were added. Right now I'm putting a chaotic flock of birds in the sky, flying as birds do when they're startled out of a tree or something.  The idea is to create a sense of unease here, giving the viewer a feeling that something ominous is about to happen.  I can't tell how this one will turn out, or even if I'll like it.

The third piece is the next illustration for my non-existent book, entitled, "Heron Creates the Day." I hope you're able to see the outlines of the heron, which at this point is just a sketch on a piece of tracing paper.  Hopefully, I will get to this one soon.



                              

A Little Inspiration on a Cold, Gray Day

I don't know about all of you, but this frigid gray weather is beginning to drag me down a bit.  I found this inspiring video about artist Kal Barteski, and thought I'd share it here.  Her determination to follow her dream has sustained her through grerat adversity, and I felt a keen sense of kinship with her.  In her story, I have found encouragement; I hope you will, too.







I've also been greatly inspired by artist/blogger Sophie Munns' work with seed biodiversity.  Like Kal, she uses her work to promote a cause she feels deeply about.





Kal and Sophie are superlative examples of how it's possible to put art to work in service to the greater good, and to remain true to ourselves while making art.

Time to Push?

I don't really have much time to read art business books or blog posts, but I try to spend at little a little bit of my rare and cherished free time learning about how to be an artist, as opposed to how to make art.  In truth, it's a pretty boring subject, but one that's important to those of us who aspire to attain even a modest amount of "success"- insert your own definition here - as artists.

So lately, things have begun to pick up a bit, and I have been selling some work, as well as being invited or selected by juries to participate in some fairly important exhibits. Recently, my work has been published in an art 'coffee table' book as well as on a book cover, and I've been notified of a show (possibly solo) coming up this year. So here's the thing: isn't this the time to push?  I mean, now that I've gained some momentum, I feel I should work as hard as possible to take advantage of it.


 Here are a few of the things I'm working on now:

 If you've been reading my blog lately you probably remember my Book of Secrets.  I've laid this one aside for a while to work on other things, while contemplating issues I still haven't found answers for, such as:

 Snakes eyes,...

                                                                                       ... or no snake eyes?
And what about the nagging questions around locks, latches, chains... or what?

Here's another piece in progress:

For this one, I cut some old book covers into panels, and attached an old 'star guide', game piece, puzzle pieces, and monotype scraps. 

I like how it's coming along so far, but my big question is how to attach the panels together.

I was thinking of something like hooking them together with large jump rings, but now I'm not sure.  Sew them onto ropes or cords of some kind, maybe?




  Stay tuned for the next post, because along with the answers to these and other burning questions,

... I'll show you, in depth, what's on my easel! 




 
So, what do you think?  Time to push?

Searching for RoyGBiv

I hope I'm not too late, but I was so inspired by all the beautiful reds I've seen that I decided to post some, too.  What I'm talking about is Jennifer Coyne Qudeen's "Searching for RoyGBiv", in which bloggers will post their colors on the third Thursday of the month.  As you can see, I'm a day late and a dollar short, but red is just what I needed to melt away my frozen winter blues, so here goes!

And Jennifer, if I'm too late, no worries; I hope you all enjoy the photos anyway! 

What it's About

One of my favorite art instructors was/is well known for asking us the tough questions.  First and foremost: What is it about?
     "Yes, I see what it is," she'd say, "but what is it about?"  What it is and what it's about are rarely one and the same when it comes to art.  As artists, we want our work to communicate something to the viewer, but a painting of an apple does not necessarily mean to convey the idea, "here's an apple."  Visual art, like a written passage, is not very satisfying if it doesn't require you to make inferences.  Most readers/viewers will tend to feel cheated if the creator of the work hits them over the head with their message, and it's also just not very interesting.

When I showed my latest piece to my family on Christmas day, my son-in-law wanted to know what I was thinking when I made it; he wanted to know what it's about. A legitimate question, but for me, it's not always an easy one to answer.  I mean, I know what it's about, but it's always difficult to put it into words.  After all, if I were good at putting words together, I'd be a writer, not an artist. For me, creating meaning from color and line and form is so much easier. But it's our responsibility, isn't it, to help others interpret what we've created.

Theory of Flight

ingredients: vintage book cover; vintage book pages, ledger page, children's writing paper and book parts; image transfers; vintage stamps; vintage map fragment; found objects; brass wire; acrylic ink; hand stitching; feathers


So here's what I told him :
I was thinking about flight, and how unlikely it seems. Like, how do things fly if they're heavier than air?  I know there is a scientific mechanism, called lift, but really, when you think about it, it just defies common sense.
We talked about how there is a fundamental mystery about it, something we can't really fully understand just by using our senses.  I guess the pulley and those other metal things represent the scientific theory, the causation of something happening, how it affects something else which causes something else to happen... and you have flight.  But really, isn't it a bit like magic? The objects, feathers and drawing could just as easily represent a magic spell as something scientific.

As we discussed this, I felt like he 'got it', and was able to come to a deeper appreciation of the piece, as opposed to just seeing it as something decorative.  And I was wondering what other artists think about this aspect of being creative.  Do you think we should be able to talk about our work, or are the viewers 'on their own' so to speak?  How much do you explain, and how much do you leave to their own interpretation?






p.s. I apologize for the terrible quality of the photo, but I have tried numerous times with a borrowed 'point-and-shoot', and they never come out totally in focus. Anyone know somebody with a used DSLR they want to sell?