Sunday, May 2, 2010

Inspired By the Rain

As often happens in Springtime, it has rained here all weekend.  It started on Friday night, and rained all day Saturday.  Then, when it was finally finished, another storm came in right behind it.  If I look out the window right now... yep- still raining.  Somehow the rhythm of the rain got inside me.  All I could see, hear, think of, was rain.  This is what it became.

  Storm Front
Ingredients: monotype, Caran D'Ache crayons, watercolor pencils, acrylic ink, acetate, acrylic gel medium, PVA glue.  
6" x 10"

Let the rain kiss you.  Let the rain beat upon your head with silver liquid drops.  Let the rain sing you a lullaby.  ~Langston Hughes

Rain! whose soft architectural hands have power to cut stones, and chisel to shapes of grandeur the very mountains.  ~Henry Ward Beecher


Saturday, May 1, 2010

Archetype: The Raven

Traveling around the blogosphere the other day, I came upon a lovely piece by Patrice Lynne Young, featuring one of my favorite figures- a raven.  I've had a fascination with ravens/crows for many years, and I've noticed that this is something I seem to share with a fairly large number of other artists.  In fact, when I started looking, I was surprised by the number of raven/crow images I had done.  What is it about this common bird, I wondered, that captures our imaginations to such a degree that you might even call it an iconic figure?  I had some idea, but decided to investigate further, and to share with you a small part of the information I found.

The Crystallization of Winter in My Heart by Sharmon Davidson

"Ravens are common characters in the traditional narratives and mythologies of cultures around the world," according to Wikipedia, and are "often depicted as a trickster or culture hero figure."  Carl Jung discussed the Trickster as one of the primary archetypes of the collective unconscious, an ancient and eternal cross-cultural symbol through which we humans interpret our experiences.  Examples of other archetypes include the Shadow, the Savior Child, Anima/Animus (the soul), the Wise Old Man, the Magician, the Divine Couple (Syzygy), the Hero, and the Great Mother. Archetypes occur within the traditions of every culture, though each archetype takes different forms in each culture. While familiar with the concept, I don't think I explain it very well, so for a more complete explanation of Jung's Archetypes, go here.

There are many trickster figures besides the Raven, such as the Coyote in native American myths, and Eshu in the Yoruba tradition,  among many others.  Some characteristics of the Trickster are as follows: "The trickster deity breaks the rules of the gods of nature, sometimes maliciously, but usually, albeit unintentionally, with positive effects.  Often, the rule-breaking takes the form of tricks or thievery... Frequently, the Trickster exhibits gender and form variability." (Wikipedia)

To illustrate, I thought you might enjoy one of my favorite Raven stories.  Someone paraphrased it into the following form, but since there is no further information on the page, I don't know who to thank.

Raven Steals the Sun

       According to a Haida story, in the beginning the world was in total darkness. 

      The Raven, who had existed from the beginning of time, was tired of groping about and bumping into things in the dark.  

      Eventually the Raven came upon the home of an old man who lived alone with his daughter. Through his slyness, the Raven learned that the old man had a great treasure. This was all the light in the universe, contained in a tiny box concealed within many boxes. 

      At once the Raven vowed to steal the light. 

      He thought and thought, and finally came up with a plan. He waited until the old man's daughter came to the river to gather water. Then the Raven changed himself into a single hemlock needle and dropped himself into the river, just as the girl was dipping her water-basket into the river.  

Earth, Sea, and Sky by Sharmon Davidson 

      As she drank from the basket, she swallowed the needle. It slipped and slithered down into her warm belly, where the Raven transformed himself again, this time into a tiny human. After sleeping and growing there for a very long time, at last the Raven emerged into the world once more, this time as a human infant.  

 Longing for Spring by Sharmon Davidson

      Even though he had a rather strange appearance, the Raven's grandfather loved him. But the old man threatened dire punishment if he ever touched the precious treasure box. Nonetheless the Ravenchild begged and begged to be allowed to hold the light just for a moment. 

      In time the old man yielded, and lifted from the box a warm and glowing sphere, which he threw to his grandson.  

Ancestral Ground by Sharmon Davidson

      As the light was moving toward him, the human child transformed into a gigantic black shadowy bird-form, wings spread ready for flight, and beak open in anticipation. As the beautiful ball of light reached him, the Raven captured it in his beak!  

Kiva Spirits by Sharmon Davidson

      Moving his powerful wings, he burst through the smokehole in the roof of the house, and escaped into the darkness with his stolen treasure. 

      And that is how light came into the universe. 

  Rise (detail) by Sharmon Davidson

As is the case with most ancient myths, numerous versions of this story evolved as it was passed down orally over time; to read more, click here and  here.

I hope you found this interesting.  To learn more about the relationship of Jung's Archetypes to mythology, an excellent and beautiful book you might want to read is Joseph Campbell's The Power of Myth.

Monday, April 26, 2010

Just Do It!

 "No Whining!" poster from my classroom

 Last week, while I was on Spring Break, I spent at least two entire mornings working on art exhibition submissions.  I really didn't want to, but I figured it had to be done, and since I was off, I couldn't think of any good excuses not to.  For additional motivation, I gave myself a little pep talk.  "JUST DO IT!" I yelled at myself.  "SUCK IT UP!" (Yep, that's my pep talk- told you it was little.)  I was more than a bit frustrated, because usually I procrastinate and procrastinate, until I've managed to miss the deadline.  Then, I curse, but I still do the same thing the next time.  Sheesh!  In the past year or more, in fact, I had missed nearly all of them.  Of course, I want to be in the shows, I just don't want to do the actual entering.  I hate the entire process; to me, it's like torture.

It's not the rejections that bother me; I got over that a long time ago.  I wish I had kept all the rejection letters I've received over the years, because I'm pretty sure I'd have enough by now to wallpaper my studio.  What better reminder of the power of persistence than that?  Or, I could use them to make the world's biggest collage!  Sure, years ago, when I started doing this, I'd get all depressed when I got a rejection.  I haven't really come all that far in the self-confidence department; I've just done this long enough that it doesn't faze me any more.  (Sticks and stones... )


Art Exhibition Applications

What does bother me is that it's just a boring, time-consuming pain in the butt.  Here's what I mean.  First, you have to figure out which shows to enter.  I should clarify here.  Finding them isn't hard; it's deciding which ones are worthwhile that can be tricky. There are so many factors to consider.  For example, is your art a good match for the theme, or for the venue?  What does "Healing Art" really mean?  What type of work do they usually show?  You have to do some research, so you're not just wasting your time and money.  And speaking of money, some are pretty expensive to enter; if the fee is over 30 dollars or so, I usually mark it off the list.  Shipping is quite expensive, so is it best to limit your entries to shows within driving distance?

Then there's the submission process itself.  Emailing images is easiest, but most want them on CD, which you have to put in the proper padded envelope with the proper paperwork, take to the post office and weigh, etc.  What's worse is that each show has stipulations for how the images should be sized and labeled, and it's different for every single show!  For example, one wants them at 300 dpi, with the shortest side at least 1200 pixels.  The next one will be 72 dpi with no side longer than 450 pixels.  I've never been able to re-use a CD, ever.  The labeling instructions are also incredibly specific.  First name.last name_first 2 words of title. jpg.  Or, first initial last name_entry number_title.  Or anything else you can think of, as long as it's not like the labeling for any other show.  I've even seen one that stipulated that you must use "inches" when giving the size, not " or in.  Are you starting to get the picture?

A mess of CD's and crap.

If you're applying for a solo show, they're going to want various other documents as well, such as your statement, bio, resume, exhibition proposal, and possibly even invitations from past shows.



Seriously?  Could some of this stuff not be standardized somehow?  Maybe it's just me, but this makes my head spin around until I want to spit pea soup.  Did I mention that I hate this?

But, the good part is that every once in a while you get something like this:



And then your piece goes on a little journey- if you get it framed and sent out on time.

World Dharma Mandala by Sharmon Davidson

What I wouldn't give for a full time secretary!  Any takers?

Tuesday, April 20, 2010

Flaming Red

Hi, all!  Just a quick little Spring waker-upper for your eyeballs, courtesy of my amaryllis...

























































































































































And a big thanks to everyone who answered my plea for help on my last post- great suggestions!  Now, back the drawing board...

Sunday, April 18, 2010

Something New

For a while now, I have felt that I've been floundering around, feeling that I wanted to venture out in a new direction with my work, but not quite sure what it would be. This past week has been my long-awaited Spring break, and I thought it could be a good opportunity to conduct some very unscientific experiments.  I've had some new ideas attempting to form in my little brain for some time, and have been trying to figure out where they might take me.  This piece is one of my experiments. I suppose you could call it a more collage-y collage, as was my first step in this direction, Butterfly Buddha Child.

 Ingredients: Rives BFK paper, map fragments, acrylic ink, eyelets, metallic paint pen, book pages, Koh-i-nor pens, acrylic gel medium, photo image, stitching, PVA glue.

I'm not at all sure if I like it, or what could be changed to make it a more successful piece.  I think maybe there's too much in it; it doesn't seem cohesive enough to me. What do you think?  This is a learning experience for me, so I'd appreciate some real "critiquing" here, people- don't be so nice! Thanks!

Thursday, April 15, 2010

Currently on Display...

 ... in my gardens. It's that time again.  Time to plant the hopeful seeds, to lay them down in a bed of soft, warm soil, to nurture them and wait for nature's blessings.  To begin again, again.




It occurs to me that part of the magic of Spring is that we're given the gift of another chance.  In an existence where there are few "do-overs", we can start over once again.  Reminds me of a Chicago song, "Listen, children, all is not lost, all is not lost..."  It's all about hope.











The onion sets are in, and the strawberries.

 But my flower beds are looking pretty bad.  Yikes-  they could use some work!  I hope I'll get them cleaned out today!

In the meantime, here are some of the flowers currently on display...