Wednesday, August 7, 2013

Doors of Perception


 “There are things known and things unknown and in between are the doors of perception."
                                                                                               ~ Ray Manzarek of the Doors, 1967












Art and religion, carnivals and saturnalia, dancing and listening to oratory—all these have served, in H. G. Wells’s phrase, as Doors in the Wall. And for private, for everyday use there have always been chemical intoxicants.
                                                                                      Aldous Huxley, The Doors of Perception, 1954







Doors of Perception

ingredients: vintage book covers, vintage book page, vintage used envelope, image transfers, acetate, acrylic ink, watercolor pencils, metallic and nonmetallic artist pens, mica, leaf, found objects, milagros, stitching, glass beads, brads, beads, electrical resisters, vintage key




If the doors of perception were cleansed every thing would appear to man as it is, infinite. 
For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.
                                                                  ~ William Blake, The Marriage of Heaven and Hell, 1790




reference: http://quoteinvestigator.com/2010/11/17/rock-doors-between/

Monday, August 5, 2013

A Long Goodbye

My yard was once an ash grove, full of majestic, mature trees that graced us with their beauty and cool shade.


The largest one, a huge old tree next to the deck in the back yard, was my favorite.





Because of it, the deck was shaded almost the entire day. I used to work out here for hours on end, making sculptures from grapevines and copper.
 


For the dogs, it made a lovely, cool place to rest up after a strenuous game of  "keep-away-fetch"...



 and for the birds, a perfect spot for their favorite cafe.


But last summer, we noticed the ash trees were not doing well, and this spring they looked even worse. The tree dude (I think the proper term is arborist?) confirmed my worst fears: it was emerald ash borer, and the trees were already beyond help. In case you're not familiar with this problem, here's a short explanation from Wikipedia: "Agrilus planipennis, is a green beetle native to Asia and Eastern Russia. Outside its native region, the emerald ash borer is an invasive species, and Emerald ash borer infestation is highly destructive to ash trees in its introduced range... larvas' bore holes essentially disrupt the flow of nutrients as they rise up the trunk from the roots to the crown via the phloem (the tree's vascular structures) just under the bark. This eventually results in the death of the tree. This can take place over a number of years, and the first noticeable sign is usually some die back in the crown of the tree. The tree will usually be dead by the following year or soon after. In areas where the insect is invasive and has no natural predators, it can and usually does have a devastating effect on the local ash tree population." My trees would have to be cut down, and for the ones near the house, the sooner the better.

I was very upset.  In fact, the lush forest-like yard was one of the primary factors in my decision to buy the house 25 years ago, and I had come to regard the trees as dear friends. People just didn't seem to get it, though. One person suggested that I should, "grow up and get over it", but it's taking longer than I thought it would. I'm working on it.


When I was working on my BFA, we had to keep sketchbooks for virtually every class. Here's a sketch I drew of my favorite tree- well, part of it- the whole drawing wouldn't fit on the scanner.

After I'd finished sketching it, my daughter, who was then about 5, pointed at the tree and said, "Mommy, you forgot something."  I hadn't included the swing in my drawing, and it was very important to her. When my children were too small to get on by themselves, I used to sit on the swing with one of them facing me on my lap, put my arm around them, and swing them as high as I dared. So I added the swing, to please my daughter, and because it reminded me of the happiness I'd felt then.



We had the 3 ash trees nearest the house cut down, and sadly, this is that tree in its current condition. The trunk is 40 inches in diameter- too big to fit through the portable saw mill we hired to cut the trunks into boards.


The yard is almost totally cleaned up now; a couple of weeks ago, the whole thing looked like this.



The saw mill was pretty amazing, though. Here, he's adjusting the log to make sure it's in the proper position.




Here, the blade is just clearing the end of the log.




And here's what our garage looks like right now.


I am learning to say goodbye; it's just going to take some time...



Friday, July 26, 2013

Stuck in the Middle Again...

I have been steadily working whenever I get a chance.  In the past, there were far too many times when I'd get 'stuck' while working on a piece - just couldn't figure out what to do next to save my life.  I would waste time fighting with it, trying this or that idea, and hating them all.  A good solution, I thought, would be to work on more than one piece at a time, so that I could let one rest while I attended to another, thus lessening the frustration as well as giving it time to percolate in the back of my mind. This also keeps me from wasting time, which is at a premium. I'm sure many of you do this, and it's generally a very good strategy.

However, I have now reached this impasse with 2 pieces at once.  Story of My Life, which I showed you at an earlier stage of unfinished-ness, has come a little further, but then ground to a halt again.






The other one I'm currently working on is this, with the working title Doors of Perception:




The problem with mixed media is that you may not have exactly the right 'thingamajig' or 'whatchamacallit' you need in order to complete the piece to your satisfaction. One thing that helps when doing this type of work is to have a wide variety of materials available. The more stuff you have to choose from, the greater the odds that you'll have the perfect object or material in your studio.  Unless you have so much that you can't find anything, which is a whole other sack of potatoes. The other drawback is that you may be regarded as a hoarder.  My kids are not shy about telling me this; other people are probably thinking it, but are too polite to say so.


So, in the meantime, what do I do? Start on another?  Make pesto?


Sunday, July 21, 2013

Kentucky Guild of Artists and Craftsmen's New Gallery

Wednesday, I drove to Berea, Kentucky to volunteer at the Kentucky Guild of Artists and Craftsmen's new gallery. According to their website, KGAC was established in 1961, and is "a dynamic membership organization comprised of the finest artists, craftsmen, collectors, galleries, interested individuals and businesses in Kentucky and surrounding states." The Guild works to "preserve and promote the rich heritage and exciting future of art and craft. The KGAC headquarters is located in Berea, Kentucky, officially designated as the "Art and Craft Capital" of Kentucky."


 Log cabin outside the tourism center.


Here are a few of the galleries and shops in the Old Town Artisan Village.









This newly renovated building, located at 116 North Broadway Street, is the first permanent home of the Kentucky Guild of Artists and Craftsmen.


 Enjoy a bit of a virtual tour of the spacious and beautiful gallery:








































As you can see, there is a lot to look at - even more gorgeous, high-quality work than I was able to show here. I'm very proud to be a member of this wonderful group of talented professionals.


If you'd like to see more of beautiful Berea, take a look at one of my previous posts, here.








Friday, June 21, 2013

Moving Along with WIP

I'm amazed that it's already summer solstice! Summer officially starts today, and time keeps moving along- what's that they say about time flying when we're having fun? Somehow, time always seems to move faster than I do, but I'm still moving along with my art at my human pace, trying to take advantage of the free time (ha!) I have now to get things done.

I thought I'd share my progress with one of the pieces I showed you in this post.  It's called "Story of My Life", which I took from the title of the lovely vintage book cover I'm using as a substrate. It's hard to resist a ready-made idea like that, right? The book is actually about the life of William Taylor, an evangelist missionary who was Bishop of Africa during the 1800's.







These are 2 of the many configurations I've tried as I continuously rearrange, ad, and subtract various elements, in search of the best composition I can come up with.  I should have taken more photos, and intended to, but I get carried away when I'm working and forget, or just can't stop long enough. They help me to remember where I placed everything, which can be really helpful.  Oh well.  I hope to be able to post the finished version of it soon.


Also, I should announce that I have a piece in the National Collage Society's Annual Postcard Collage Exhibition.



The exhibit will be on display at Kent State University until July 20; subsequently, you can view it online at the National Collage Society website.




Happy Solstice, everyone!  Have a wonderful summer!









Friday, June 14, 2013

Seed Story IV



Seed Story IV
ingredients: acetate, monotype, acrylic ink, cheesecloth, watercolor crayons, stitching, vintage book page



You may have noticed that I skipped Seed Story III. There is one, but I had to send it off to the curator of the traveling show just as I was getting ready to leave for vacation, so I didn't have a chance to photograph it. Instead, I've posted Seed Story IV, a piece which I decided not to put in the exhibit. Eventually, when Seed Story III returns from its journey, I will be sure to post it here.

Have a great weekend, everyone!

Friday, June 7, 2013

Seed Story II

 Seed Story II
ingredients: monotype, acrylic ink, watercolor pencils, stitching


Two down, one to go!