
Being a child of ample imagination, I loved to read fairy tales. My fascination with these stories went beyond listening to an adult read "Red Riding Hood" or even watching Disney's iconic "Snow White" or "Sleeping Beauty"; I went to the library and checked out every book of fairy tales I could find, and devoured them.

I was captivated as much by the pictures as the stories; the stunning illustrations in many of these books sparked an aspiration to draw like that myself. I populated my own imaginary world with knights, princesses, horses, and dragons that I drew and cut out. I would make up fantastic tales, and act them out with these 'paper doll' characters.

Some of the most inspiring illustrations were done by Danish artist Kay Nielsen, who worked during the Golden Age of Book Illustration in London around the turn of the century. According to Terri Windling (From Fairy Tales to Fantasia: The Art of Kay Nielsen), "Kay left Copenhagen for Paris to study art in Montparnasse. It was there that he, like so many art students, discovered Aubrey Beardsley's work, with its fine use of line and ornamentation and its aura of dark romance. Beardsley's drawings made a considerable impression on him, containing as it did two of the things he loved best: imagery from myth and folklore, and the strong influence of Japanese art."



I loved the drama and emotion these pictures evoked, the lush colors, the stylized figures. For me, they were an integral part of the stories, as important as the words. The strong sense of composition and use of flowing line are aspects of Nielsen's work that I unconsciously incorporated, over time, into my own work.




It's strange how these things we've forgotten about have influenced us so profoundly. Perhaps they lay so deeply and thoroughly imbedded in our past that they've become a part of us.